Romance movie

Here’s What Makes Amour The Most Heartbreaking And Emotional Romance Film Ever Made

Romance stories are a popular concept, but there have been a slew of cheesy, gritty romance movies over the years that just don’t have much timelessness. There are few mediums as powerful as the moving image, so while there’s a time and place for sappy, feel-good romances, nothing beats a heartbreaking love story that tugs at our empathic heart and makes us cry. These films can trigger emotions in ways that most romantic comedies and overly sentimental films simply cannot.

Watching a romantic tragedy triggers an emotional reaction because it usually refers to something very intimate or personal. While it may not look anything like the viewer’s life, they can empathize and relate to emotions and feelings, which is what makes a movie so powerful. So when Love used two of France’s most famous yet oldest actors to address themes of love, marriage, heartbreak and even death with unflinching and painful honesty, it’s no wonder he has won an Oscar and a Palme d’Or. Get your comfort food and tissues ready, because here’s exactly why Love is the most heartbreaking and moving romance film ever made.

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Related: The best movies about finding love in old age

The True Meaning of “Til Death Do Us Part”


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Diamond Films

Michael Hanekethe film Love is not just a romance; it’s a true and true depiction of the moments between two loved ones leading up to death, and it’s truly an unexpected masterpiece that explores what it is (To like) really means. We follow the story of an elderly couple as they float through their peaceful routines, when Anne (Emmanuelle Riva) suffers a stroke that leaves her paralyzed and her husband, Georges (Jean-Louis Trintignant), sees his love and devotion put to the test. .

One of the most powerful aspects of this movie is that it forces us to confront some of life’s toughest questions, like, “What will happen when I get old?” Will there be someone to take care of me? Love, unlike almost every other film in cinematic history, takes us on a realistic and intimate journey of long-term love and the dying process. The film is the representation of an idyll so strong that nothing can separate Anne and Georges, except death (and even that seems to require them both). Although in the worst possible condition, Georges promises Anne not to hospitalize her or place her in a home and to stay by her side until the end. Yet through it all, they find a bit of laughter in the dark, and their mutual love and acceptance drives them through. It may seem hopeless from an outside perspective, but viewers can see George’s hope in the comfort of his love.


Anne’s pain inevitably becomes too much for her, and she tells her husband that she is tired and no longer wants to live, Georges refuses but ultimately cannot relieve or comfort her. It becomes unbearable for him to see his wife suffer, so he puts an end to her suffering by ending her life, not out of frustration, but out of love. For some, it’s there (and the last minutes) Love goes from love film to pure anti-romance. The euthanasia we witness (and viscerally experience) as audiences tests our empathy and how we perceive love; it’s unsettling and absolutely tragic, yet extremely moving and authentic, depicting the power that love holds and the absolute meaning of true love. It elicits every possible emotion in the watching audience, and if that isn’t the truly heartbreaking meaning of “till death do us part,” then who knows what is? It also raises questions about the real meaning of our own love, and how far would we go for a loved one? How much patience and faithfulness do we have for a decline in life, like Anne’s?


Related: Here Are Some Of The Most Romantic French Films Ever Made

Look death in the face


burnt tiles
Diamond Films

Getting older can be scary and sad. Love demonstrates that senility and death can sneak up on anyone when you least expect it, and Haneke’s film may send us a clue to living life to the fullest while we still can. It’s a dark reminder of mortality and frailty, but it’s also a beautiful depiction of growing old with the love of your life.

While Love sends an important message about love and marriage in real life, themes of death and the loss of a loved one are equally prevalent. Although the couple live in harmony until the end, the reality of George watching his wife crumble and slowly die is perhaps the most heartbreaking aspect of this film. As we watch George deny the inevitable and try to stop it from happening, we as an audience are forced to consider what happens when we slowly die and understand the deep sense of misery and despair that we we experience in old age – this is what we see when Anne is fed up with suffering and asks to die at last.


Haneke, hope and despair


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Diamond Films

The film is an emotional roller coaster, as in real life, aging and dying happens (in most cases) slowly, and as the film progresses we see Anne’s slow deterioration. It gives the audience an extremely real experience, describing exactly how it would happen. It also translates the distress that Georges has to go through, the ups and downs, the “good, the bad and the ugly” of the situation. Most people who have endured the loss of a loved one will relate to the horror Georges experienced, the heartbreaking reality of knowing death is in your orbit, and wondering how you could stay strong knowing that death is just around the corner. It’s an uncomfortable and emotionally taxing waiting game, both for Georges and for the audience.


The devastating ending that viewers witness is a vision of what happens when you lose hope and accept fate, but Love is not necessarily to give us a message, but to make us ask questions. It asks us to think about life and death and the drastic, sometimes horrific actions we take out of love. It is also an illustration of the struggles of marriage and, ultimately, the heartbreaking realization of what it is to face death and come to terms with death. It is perhaps the most heartbreaking and emotional romance film ever made and, like all of Michael Haneke’s films, it is highly controversial and brutal. Unlike his other works, however, it is neither an intellectual exercise nor a misanthropic or nihilistic provocation. It may be a film noir, but Lovelike love, has a beating, bloody heart that we can all feel pumping.


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